DEAD CHICK TWO: THIS TIME IT’S PERSONAL

His consistent attention to voice, his narrative muscle and unrelenting delving into a mind denied its presumed right to have what it wants, all conspire to make this story resonate…. The dread inexorable march of bloodshed won me over.

So sayeth judge Sarah Endacott, in awarding The Claws of Native Ghosts this year’s Australian Shadows Award.

To say I’m chuffed would be to understate the case. The Australian Shadows is the Australian equivalent of the Stokers– a technical award, given by the industry peak body, judged by industry professionals. To be shortlisted in a field alongside Sara Douglass, Paul Haines, and rising stars Jason Fischer and Chris Green was cool enough. To beat them was gratifying indeed.

Gary Kemble interviewed me in the wake of the award announcement for the ABC arts blog Articulate, and you can read it here. As is mention in the interview, to be recognised for both the entertainment value and technical merits of my work is extremely rewarding.

I’ve set aside this weekend for being unbearably smug, and then I’ll get back to work on Monday.

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