Congratulations to designer and illustrator Amy Daoud, and Walker Books, for winning Best Designed Children’s Fiction Book with Magrit at the Australian Book Design Awards 2017.
Every conversation I’ve had since the book was released has included note of what a beautiful book it is, and how special a package it is, so in my view, it is a warmly-deserved win.
Norman Jorgensen is one of the finest fellows in Western Australian writing: welcoming, friendly, open-hearted, and with a well of bonhomie that makes instant fans of anyone who runs across him. On top of all that, he has a fantastic line on rousing books for all ages, including In Flanders Field, Jack’s Island, and the recent The Smuggler’s Curse, that bring a sense of wonder and adventure back into reading.
You can find out all you need to know about Norman at his website. Suffice to say he’s an absolute pal, not least to my son Master 12, who has just the slightest taste of star-worship going on whenever they meet. It’s an absolute pleasure to welcome Norman on board.
Precious Things: Norman Jorgensen.
One one occasion, back when I was but a small boy, my mother allowed me to take some pocket money and hit up the newsagent’s at the Big Shops and get me a comic book.
By age 8, I was already a firm, and lifelong, fan of a number of comic book characters: Iron Man, Daredevil, Doctor Strange, Green Lantern, The Flash (yeah, the last 10 years have been pretty frigging good…). Suicide Squad, Doom Patrol, Swamp Thing, and Batman lay in my future. Etrigan, the Defenders, Guardians of the Galaxy (the originals, damn it), the Uncanny X-Men: all still to come. Sandman, Hellblazer, The Crow, Shade the Changing Man: many years hence.
And then there was the pulpy, multi-coloured, wild and woolly piece of British insanity I picked out and took home with me. Ye Gods. I’d never seen anything like it. Lurid, helter-skelter madness oozing out of every page. I was smitten. I was entranced. I was in another world.
My Mum read three pages, and threw it in the bin.
2000AD. Oh, what a joy. What a frabjous, incendiary, utterly British slice of lunacy. I’ve been a lover ever since.
To whit: Judge Dredd. The signature character. Not necessarily the best, but the most 2000AD of all the characters presented over the many years of the comics’ run. To date, there have been 2 filmic treatments: a ludicrous, and rightly derided, Sylvester Stallone thudder in 1995, that manages to include all the necessary ingredients and get them all hopelessly wrong; and a 2012 starrer for the chronically-limited Karl Urban that was long on the ultra-violence, and short on everything else that makes the character special.
Which makes the fan film Judge Minty all the more extraordinary. Fan films are a special kind of rabbit hole: produced with all the love and care in the world, many of them are victims of the lack of resources, knowledge, and (at times) talent that reinforce all the negative stereotypes that abound when we see the words “fan production”.
Not this. It has a few moments where the ambition outstrips the production, but it is a superb Judge story, and far better than the two mega-budget films that proceed it. It’s superb.
And if that’s not enough, the same production team has just released a new film. Search/Destroy features one of my all time favourite characters, and worlds: Johnny Alpha, the Strontium Dog. I’ve been waiting for an SD movie for as long as I waited for all the Marvel and DC films and TV that are currently overwhelming the Universe. If there is to be a new wave of comic book movies, let the Judge Minty crew lead the way. I want more.
I’m in love.
I’ve been in a writing lull, now, going on something in the region of three years. The promise of my early days, when I was selling ten stories a year, seems a long way away as the combination of life-consuming day job, depression, and general Real Life ™ has slowly chipped away my creativity, my drive, and my time.
However, one thing I’ve maintained is my enjoyment of teaching writing, and when I have managed to write, it’s been via applying one of the exercises I use to teach aspiring writers, and pushing through to get some sort of result out of it. So here, for your own education, are five exercises I regularly use to get my heart started.
Five for Friday: Writing Exercises
“Fine. You were right. They hate it. I’ll go back to the black hood tomorrow, okay?”
This one sits right at the heart of the Venn diagram that represents my love of absurdism, my love of gallows humour, and my love of making uptight little old ladies curl their noses up in disdain. Consequently, it still makes me giggle my weaselly little black heart out.
“At the third strike, my husband will apologise and fall asleep…”
Am I right, ladies. You know I’m right. (Polishes lounge act, plays Northern club circuit…)
As a writer, half the battle of capturing your reader’s attention is won or lost in the first line. Capture their interest– hook them– and they’ll accord you extra time to do the things you need to do. Provide a bland or boring opening, and you’d better have an explosion arriving real quick, because there’s a new episode of Duck Dynasty on the tube and someone’s cooking sausages.
(Of course, you can take my advice for what it’s worth by noting that the greatest play ever written starts with the first line, “Who’s there?”)
Over the course of my career I’ve written some cracking opening lines (if I do say so myself) and some that have done little more than provide the literary equivalent of lobbing the ball over the next just so the other player can return serve.
Here are five of my best.
Five for Friday: First Lines
