As much as I’m a died-in-blood-on-the-wool-of-the-lamb-that-lay-down-with-the-lion atheist, I’ve always had a bit of a leaning towards the fictional cult of Bokononism that Kurt Vonnegut espoused in my favourite of his novels, Cat’s Cradle. It’s a harmless creed of self-gratification, based around the tenet that you should believe the lies that make you happiest, and discard those fabricated, societal lies– say, for example, family, government, or honour– that cause you misery or harm.
My birth family imploded badly during the 1980s — and my own growth has shown me what a flawed, deeply unhappy accidental grouping it was — so the novel struck a cord when I first read it. Of particular attraction, and something I’ve held to ever since, was the notion of the karass– a group of people linked by common affect or circumstance, for good or ill, even if they do not know it. The girl to whom I lost my virginity: part of my karass. The doctor who killed my first wife: likewise. The teacher who first noted my talent for writing and helped turn me away from the military and towards a life in the arts: you get the idea.
It is not the link forged by societal expectation that counts. It is the link forged by the effect upon my journey that is the strongest.
So what does all this post-pop-psychology-posturing have to do with anything?
One of the main tasks associated with my current KSP writing residency is to provide a mentoring session to an aspiring artist. I don’t mentor as often as I used to. As I get older and my career gets more complicated, I find myself less and less sure about what I have to offer others, outside of straight writing advice. I’m less of an example, and more of an example of mistakes to avoid……
However, it does strike me as a timely opportunity to acknowledge five people who have provided important turning points in my career. Whether they know it or not, and whether they want it or not, they are– inextricably– members of my writing karass.
Five for Friday: Members of my Writing Karass.
Continue reading “FIVE FOR FRIDAY: A KARASS OF TURNING POINTS”