My first book for the year is The Sale of the Late King’s Goods, a discussion of the history of Charles I’s art collection by Jerry Brotton, which fits nicely into my lifelong fascination with the Tudor, Jacobean, and Caroline eras.
But among all the Titians and Van Dycks and Rubens’, the piece I have become most enamoured by is a work described by Brotton as “rather grotesque”, (although it was, apparently, a personal favourite of Ol’ No Head), Giulio Romano’s A Mermaid Feeding Her Young.
I have never seen it before, nor been aware of Romano. I really do like it an enormous deal. And now I have a new artist to study.
Grotesque? I say glorious.
So I was talking to Lord 16 about Doom Patrol, which lead me to introduce him to the work of Richard Dadd, and then Luscious and I were watching Red Dragon, the film about Thomas Harris’ inability to distinguish between two similarly named William Blake paintings, and well, here we are: five artists who left the comforts of sanity behind to go chasing after their own interdimensional butterflies, for which we are all the very much better.
5 for Friday: Go on, then. Chase Those Waterfalls.
Continue reading “5 FOR FRIDAY: THEY SAID I WAS MAD…”
It’s the school holidays, and even though we are, by and large, skint this time out, there’s still time for the odd lunch out. Yesterday we hauled out to Port Samson, a seaside enclave roughly 50 kilometres up the coast, for the best fish and chips in the region, served on a balcony overlooking a wide sand flats and beach. We packed a couple of notebooks and some pens, and while waiting for our lunch, Ms 16 introduced us to a version of the Narrative Corpse writing game. You know the one: you write a paragraph, fold the page over so that only the last sentence can be seen, pass it to the left. At the end, you unfold your sheet of paper and read the odd little story that you’ve all created to much ribaldry and general hilarity.
Continue reading “BETWEEN THE ORDER AND THE LUNCH”
One of my final acts before I left the hated day job was to commission a mural to fill the front courtyard of our Arts Centre. The building is too far back from the road, and the courtyard was the kind of dull grey-brown landscape you get when you ask Council planners to make a space attractive. As consequence, the building disappears from the road– it simply doesn’t attract the attention of passers-by as it should.
I was fortunate in that one of the submissions for the work came from one of the most artistically ambitious and unafraid artists in the region: Jacq Chorlton, who proposed a swirling vortex of stark black and white striations that swirled past the edge of the courtyard and onto the footpaths beyond.
I fought, largely unsuccessfully, for eight years to get work into local open spaces that were more than simple representations– Rockingham’s public art is largely vanilla, with nothing to truly capture the imagination or stick in the memory. The Arts Centre is one space where I had a few successes: the building looks like nothing around it, and had I stayed, I would have pushed that envelope further and further.
Continue reading “A FINAL IMAGE OF A DISCONTINUED VISION”
The car went first. Then the furniture. Finally, on Wednesday, I drove Luscious and the kids to the airport and they went too. I’ve a couple of days of work and house tidying left, and then I’ll follow them. Rockingham is over, and our future– at least for the next 2 years– lies in Karratha.
I’ve lived in Rockingham, on and off, since the age of eight. That’s a gnat’s breath short of forty years. It’s my home. No matter where I travel– including this move, for however many years it lasts– no matter where I move to, my new location is viewed in terms of where it lies in relation to Rockingham. I’m not moving 1600 kilometres to Karratha, I’m moving 1600 kilometres away from Rockingham.
Continue reading “5 FOR FRIDAY: THINGS LEFT BEHIND”
I’ve just realised, as I was writing an upcoming Five for Friday post: I took the stage for my first stand-up comedy performance in 1992.
A few fevered, and not particularly serious, attempts at publication in my University years aside, that performance was the start of my continuous arts practice: after that night, via cartooning, theatre, and writing, I have been a practicing artist in one form or another for 25 years.
Over at Facebook, I was tagged in a meme that required me to list three things that made me grateful, every day for three days.
So I thought I’d list them here, too.
- I’m grateful for my art. It has provided me with friendships, income, travel opportunities, and was the vehicle by which I escaped the soul-destroying depths off despair I was slowly being crushed by while working in the Public Service. I’ll never be famous, I’ll never be remembered, and I’ll never be considered at even the middle of the tree, but my art has been the thing that has kept me from disappearing into the obscure midst of my mediocre family tree, and I’m grateful.
- I’m grateful for a reasonable income. Yes, we struggle, and we juggle finances on a fortnightly basis, but I’m aware that we do so from a level of decent comfort. My children go to a good school, my wife is able to study, essentially, full time, and we have room to both expand our horizons and entertain our hobbies & indulgences. We never suffer, and having both come from backgrounds of grinding poverty, Lyn and I have only ever wanted our children to appreciate a good upbringing.
- I’m grateful for the respect of my peers. I get little of it at work, and I rarely feel like an author doing good work, so when a fellow artist expresses their respect or admiration for the work I do then it usually comes as an enormous, and humbling, surprise, because, to be quite honest, I generally don’t know what I do to merit it. I’ve undervalued my work for so long– it’s only in the last fortnight, for example, that I’ve decided to set a minimum fee for appearances, despite doing them regularly for the last 12 years– that I’m always a little stunned when others do value it. And grateful, because sometimes, I doubt I’d go on without it.
- I’m grateful for my readers. Despite all the mechanical hoo-ha-ra that goes into writing, ultimately it comes down to entertaining a stranger with the power of your imagination and your words. Anybody who comes back for a second helping, or who picks up my work because they like the cut of my snippets, is someone who has chosen to invest their time and imagination into my maunderings. It’s a weird kind of long-distance love affair of the mind, and I’m thankful to all who take it on.
- I’m grateful for my children. As you’ve probably noticed if you’ve read this Facebook page for long enough– by which I mean half a day or more– my kids constantly entertain me, fill me with wonder, and enrich my life by keeping me innocent, impish and focused on doing good for others who need me in their life. Whether it be my naturally-arrived Miss 12 and Master 9, or my inherited bonus kids Cassie, Aiden and Blake, granddaughter Little Miss 2, grandson Little Man
- I’m grateful for the quickness of my mind. I’ve mentioned before that my father’s mind is failing, and it’s killing me to watch a charming, erudite, quick-witted man struggle for words and concepts he used to fling about like gossamer. I love being funny, I love being deliberately unfunny to spark a funny exchange, I love to tease, to argue, to explain, to build worlds and concepts out of nothing more than my vocabulary and my ability to knit words into never before-seen shapes and tastes. All my other gifts belong to the people who bestow them upon me. This is the only thing I have going for me that is purely mine. If it ever begins to desert me, I don’t know what I’ll do.
- The care and love shown to Master 9 during his illness by people who have no other investment in it than they are his teachers, or our friends. From just-because gifts, to messages of support, to structuring his classroom, people have gathered round him for the 14 months of his illness and provided him with an atmosphere of caring and support that has done wonders for his morale and self-esteem. To Kris, Kim,Grant, Lilysea, Mark and countless others, my gratitude.
- Free education. I went to a shitty High school in the 80s, when my pre-Child Support Agency divorced mother raised two teenage boys and covered a mortgage on a single mother’s pension and a $30 a month in child support payments, and thanks to a nominally free education system I still managed to claw my way through 4 years of University. Now, it’s going to cost tens of thousands of dollars to send my children to a good high school. Much as I would love to do my Master’s degree, I simply can’t afford it. My wife’s attendance at University each semester is a matter of financial negotiation. My eldest sons struggle to hold down shitty part-time jobs and find enough time to attend to their study obligations. If I were starting my educational career today, I’d be working at K-Mart full-time, because that’s the best that people like me could have hoped to afford. I’m grateful that free education enabled me– and subsequently, my children– to escape a lower-class existence through education.
- A stable political system. Yes, Tony Abbott and his Ant-Hill Mob of witless cronies are a blight on our culture, and yes, we can argue back and forth about the relative merits of our chosen allegiances until we’re blue in the nads. But nobody shot at me today, and I own my house, and my children are safe and my wife can wear whatever she wants and get herself a tertiary education, and any meal I’ve missed since I was at Uni has been by choice, and I have freedom of travel, speech, religion and thought. And I’m an artist, and a well-paid member of the permanent workforce. I’ve never been conscripted, I’ve never fought in a war, or against my own people. I’ve never been gaoled for my beliefs, tortured, or disappeared. My neighbours don’t spy on me. I’m safe, and warm, and comfortable and educated. And I’m grateful.
And, things being what they are, here’s a little bonus extra grateful content:
10. Above all else, I am grateful for the presence of Luscious Lyn in my life. We have been together almost twelve years now, which boggles me to think of, and in that time we have faced innumerable struggles, traumas and hardships, but throughout it all she has been the pivot around which our family revolves. She has brought me unparallelled joy, belief and support, and whatever happiness I have managed to gather unto myself has been, in large part, because she is beside me, pointing me always towards positivity and joy. I cope, and occasionally flourish, because of her. I am a better person because of her.
And for that we should *all* be grateful.