Every conversation I’ve had since the book was released has included note of what a beautiful book it is, and how special a package it is, so in my view, it is a warmly-deserved win.
Magrit is beautifully written, succinct, tender and, at times, desperate and disturbing. It manages to combine the dream logic of Flann O’Brien’s The Third Policeman with the otherworldliness of The Twilight Zone. Constantly inventive and suspenseful, Magrit is a book that stays with the reader long after it has been finished.
Fresh of the back of not winning the Aurealis and CBCA Book of the Year Awards for Magrit comes news of one more Award shortlisting, and this time it’s a beauty: the little book that almost could has been shortlisted for the Patricia Wrightson Prize for Children’s Literature as part of the 2017 NSW Premier’s Literary Awards.
The Prize, which attracts an award for (wait for it) THIRTY THOUSAND FREAKING DOLLARS, will be announced on 22 May, when I’ll be lying in bed exhausted after running myself to death for the Asian Festival of Children’s Content, so, you know, it might be pretty flipping good weekend, as weekends go……
For the full skinny, including the list of all shortlisted works across 11 categories, you can head over to the NSW Premier’s Literary Awards page.
Off to the Aurealis Awards tonight, where Magrit has been shortlisted in the Best Children’s Novel category. Thanks to Lyn and her nailpimp Stephanie, I’m suitably attired for the occasion……
Good news, today, with the release of the 2016 Aurealis Awards finalists. Magrit has been shortlisted in the Best Children’s Fiction category: a new category for me, and my 7th nomination since 2004. With six previous nominations and one win, it’s time to see if my bridesmaid dress still fits……
It’s always nice to be nominated, and it’s always great to see the names of friends like James Foley, Kaaron Warren, Juliet Marillier, Deborah Biancotti, Claire McKenna, Kirstyn McDermott and Alan Baxter make the list. But it’s always a special joy to see names new and unfamiliar listed: the field of speculative fiction constantly renews, and it’s a challenge for those of us with older heads and harder veins to adapt to the new ways of thinking and expression that fresher, lighter word-dancers bring.
So congratulations to all the nominees, and here’s to a damn good knees-up on the night.
And on the subject of damn good knees-up (See what I did there? I am available to segue at children’s parties), you can now reserve a place to watch me eat at the Katharine Susannah Prichard Writer’s Centre Christmas in July literary dinner! I’ll be performing for my supper, with readings, book signings, possible kitten juggling and even a special guest appearance by a tap-dancing Satan on roller blades*
There are plenty of other dining options throughout the year, so come along for some good food, great company, and the chance to hear some fine literary treats. Or come to mine, it’s all good.
(*May not actually happen. Sats is a busy guy, and to be honest, we don’t talk much these days. It’s complicated, but he met this girl, she doesn’t like any of his old housemates… you know how it goes…)
The 2013 Aurealis Awards were announced this weekend. Marching Dead was shortlisted in the Best Horror Novel, but lost out to Fairytales for Wylde Girls by Allyse Near.
A full list of winners has been posted at the Aurealis Awards website. Congratulations to the winners in all categories: with several hundred novels, stories, anthologies, collections and graphic works published each year it’s a big mountain to climb.
To note the Aurealis Award nomination for The Marching Dead, here’s a little bonus for those of you who knew him before he went electric.
Lying Like Cards: A Marius dos Hellespont fix is a vignette I wrote to mark the publication of The Marching Dead. It concerns the game of Kingdom, which I invented for the novels and which nobody has had the decency to licence and make me a rich man by producing limited edition gold-plated versions thereof. Or even a DOS game. The story takes place just before the opening of The Corpse-Rat King, so if you want to get the full benefit of the narrative, buy my goddamn books already. It’s appeared at the Angry Robot website and some delightfully hand-made booklet versions were given to people who attended the book launch, but it appears here for the first time.