PAREIDOLIA: BLAKE

Cattle die and kinsmen die,
thyself too soon must die,
but one thing never, I ween, will die, —
fair fame of one who has earned.
Havamal 76, from ‘The Poetic Edda’

 

Blake tribute dim16.9 (1)_Moment

 

The kids and I flew back from his funeral yesterday. Luscious is in Perth until Thursday, when she will return to us. Perhaps it’s time to talk about it.

On September 21st, my bonus son Blake lost the battle, and took his own life. He was a week past having turned 25 years of age.

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BREAK

I have to take a short break. On Saturday, Luscious and I lost one of our family members, whose battle simply became too much and who took the only way out they felt was left to them. I can’t talk about it at any length right now. Perhaps later.

But while we try to make sense of it, and bring our family around us, and grieve, I’m taking a break from this page.

To future days.

RUTGER HAUER. 2019. OF COURSE.

I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.

Let’s be honest: it’s the greatest death soliloquy in cinema. Delivered by Roy Batty, the hero (YES, HE IS!) of my favourite movie, and classic SF dystopia, Blade Runner. Now the actor who delivered it, who created it as perhaps the most brilliant ad-lib ever devised, has died. 2019. The year of Blade Runner. The year Batty died.

Of course.

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DADDY GAVE ME A NAME

My father died yesterday.

He’d been suffering from dementia for quite some time, the result of a condition called Primary Progressive Aphasia, as well as the degenerative effects of a lifetime spent in dangerous manual labour, with its attendant injuries. The decline was underway for several years. He’d been in steep decline for the last couple of years. Three days ago he slipped into a coma from which he never awoke, and at 9.30am yesterday morning he took his last breath. He was 75 years old.

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HARLAN ELLISON: A STORY ABOUT BEING FREE

ellison

Photo via tributes.com

 

Harlan Ellison died yesterday, at the age of 84. If you’re a fan of SF, or film criticism, or have a passing knowledge of American TV, then you know what that means: we’re down one giant, and about to enter an intense period of arguing over the legacy of one of the most complex and problematic human beings ever to work in the SF field. Certainly, my Facebook feed is awash with memorials, reminiscences, and as is the way with Facebook, denunciations, already. But then, that’s the crowd I run with. At the heart of it, no matter our differences, just about everyone on my feed loves speculative fiction. We’re all true believers, and if anything, Ellison was a true believer.

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FIVE FOR FRIDAY: ROCK IN PEACE, MALCOLM

There was news of considerable importance in Australian music this week. Malcolm Young, founding member and iron-wristed bass player for rock gods AC/DC died, aged 64, a few weeks after his older brother, founding member and multi-instrumentalist for the Easybeats, Flash & The Pan and Vanda & Young, George. Within just over a month, we’ve lost 2/3 of the first family of Australian rock: only AC/DC lead guitarist Angus remains.

I wasn’t an AC/DC fan as a kid. Growing up in Rockingham, AC/DC was the soundtrack of brutality: it was the band of choice for the plaid-clad, DB-wearing bogan thugs that made my life a misery– underneath that plaid shirt was invariably an AC/DC tee-shirt, and if you didn’t have at least a Back in Black poster on your wall, you were certified poofter and fair prey. As a result I spurned their music, and got my heavy fix from other quarters.

It wasn’t until I escaped my teen years, and was able to fit them into a much wider view of musical taste, away from the Holy Bogan Trinity (AC/DC, Cold Chisel, and oddly, Australian Crawl), that I came to appreciate them, and just how individual and epic their particular brand of thunderous rock and roll was.

They may have– to paraphrase one memorable review some years ago– ‘released the same album seventeen times’, but it’s a hell of a sound, and a hell of a ‘same album’. The band’s anthemic high points have become family favourites, with three generations of heads banging whenever we’re all around and they hit the playlist.

So to commemorate one of Australia’s great rock and roll bassists, and the lasting impact he and his men have had on Australian music history, here are five of my favourite AC/DC bangers.

Rock in peace, Malcolm.

Five for Friday: AC/DC

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