EAT ME, I’M A BRIDESMAID

Good news, today, with the release of the 2016 Aurealis Awards finalists. Magrit has been shortlisted in the Best Children’s Fiction category: a new category for me, and my 7th nomination since 2004. With six previous nominations and one win, it’s time to see if my bridesmaid dress still fits……

aurealis-awards-finalist-high-res

 

It’s always nice to be nominated, and it’s always great to see the names of friends like James Foley, Kaaron Warren, Juliet Marillier, Deborah Biancotti, Claire McKenna, Kirstyn McDermott and Alan Baxter make the list. But it’s always a special joy to see names new and unfamiliar listed: the field of speculative fiction constantly renews, and it’s a challenge for those of us with older heads and harder veins to adapt to the new ways of thinking and expression that fresher, lighter word-dancers bring.

So congratulations to all the nominees, and here’s to a damn good knees-up on the night.

And on the subject of damn good knees-up (See what I did there? I am available to segue at children’s parties), you can now reserve a place to watch me eat at the Katharine Susannah Prichard Writer’s Centre Christmas in July literary dinner! I’ll be performing for my supper, with readings, book signings, possible kitten juggling and even a special guest appearance by a tap-dancing Satan on roller blades*

 

literary-dinner-flyer

 

There are plenty of other dining options throughout the year, so come along for some good food, great company, and the chance to hear some fine literary treats. Or come to mine, it’s all good.

(*May not actually happen. Sats is a busy guy, and to be honest, we don’t talk much these days. It’s complicated, but he met this girl, she doesn’t like any of his old housemates… you know how it goes…)

 

 

SEE YOU IN 2017, FOLKS

Well, my darlings, that’s me for the year. I’m outta here, to spend the next 10 days in a drunken stupor relaxing with my family, my hobbies, my air-conditioning, and my platter of Christmas nibblies.

What do I plan in 2017? A return to writing, with a vengeance. 2016 was a lost year in too many ways, and the loss of my writing was amongst the most painful difficulties I went through. No more, I say.

Continue reading “SEE YOU IN 2017, FOLKS”

KSP GHOST STORY NIGHT

Last week, Luscious, the kids, and I met up with our good friends Kris and Kim, and moseyed on up to the Katharine Susannah Prichard Writers Centre for their spooky night of ghost stories. Lyn and I had entered stories in their ghost competition, and had been informed that we had both been shortlisted and would we like to come along and read? Of course we would. The KSP is one of the loveliest and most atmospheric Writers Centres I’ve ever seen, and it’s always a real pleasure to head up there. So we hooked up with Kris and Kim for dinner in Midland, paused to let Master 11 get into costume (prizes for dress-ups!), and toddled off, stories in hand.

Master 11 takes his zombies seriously. 

And, well, we did all right. A prize for Master 11 for his zombification, the announcement of Luscious’ brilliant story Cross Words as the second prize winning story, and then — after clearing the room of under 18s and telling everyone that the organisers had been forced to refine the running order of the evening specifically because of the graphic nature of the winning story– my own tale, The House of Jack’s Girls, a lyrical little thing about men bringing their sons to a haunted brothel specifically to have sex with Jack the Ripper’s victims, was announced as the 1st prize winner.

Lyn silenced the room with her reading of her tragic and powerful story.

A good night for the ego, and a good night for the sense of fun. KSP organiser Tabetha was overwhelmed by the sheer weight of attendees, so here’s hoping it makes a reappearance again next year. You can read all about the night, including judge’s reports, from the KSP perspective here.

Not a bad night’s work……

OOOOOHHHHHH, BOOGIE BOOGIE BOOGIE….

Tomorrow night, Luscious and I will be up at the Katharine Susannah Prichard Writers Centre, scoffing curry puffs and drinking hot chocolate — and incidentally, reading fresh new works — as part of the KSP’s Spooky Stories Night. It’s a fundraiser for the KSPs residency program, and both Lyn and I have been shortlisted in their ghost story competition. I’ll be reading my entry, The House of Jack’s Girls, and I will say that it’s one of the harder-edged horror stories I’ve written in a little while: if you’ve fond memories of my Aurealis-award winner Pater Familias from a few years back, well, it’s in that sort of territory– the kids will be sent to another room while I’m reading….

Winners of the competition will be announced, there’ a dress-up competition, warm food, marshmallows for toasting over a fire, and if you’ve got a scary story to tell, a chance to scare the bejeebus out of everyone in the best possible setting.

Tickets are cheap as chips, and it’s shaping up to be a fun old night, so come on down. You can find more details here.

KSP SF MINICON FULL PROGRAM

Oh yes, my friends, I shall be there. And it will start oooh, and aaahhh, then later there will be running, and screaming….

Get your peepers on this little lot and tell me you don’t want to come on down and hang out. This is going to be one fabbo day:
The 2012 KSP Speculative Fiction Writers Group Minicon
Panellists include :
Local Writers: Lee Battersby, Amelia Beamer, Hal Colebatch, Cathy Cupitt, Stephen Dedman, Joanna Fay, Satima Flavell, Sonia Helbig, Elaine Kemp, Pete Kempshall, David Kitson, Martin Livings, Dave Luckett, Juliet Marillier, Ian Nichols, Anthony Panegyres, Carol Ryles, Guy Salvidge, JB Thomas. 

When: Sunday, 9 September, 2012  9.30am-4.30pm

Where: Katherine’s Place, 11 Old York Road, Greenmount (Turn into the first driveway after you turn in from the highway and park at the back)

Cost: $15, or $10 if you book in advance. Leave a comment at http://kspminicon.blogspot.com.au/ if you want to do this.

Lunch: A decent meal and tea and coffee will be available for a gold coin donation or you can BYO – there are no eateries in the vicinity.


Programme
Discussion Panels: Meeting Room

10:00 Breaking the Rules
“Look, that’s why there’s rules, understand? So that you think before you break ’em.” – Terry Pratchett
Sometimes the ‘rules of writing’ need to be broken. But what are they and how and when do you get away with breaking them? And what do you need to be aware of before you do? All the best writers are renowned for breaking rules and new writers are crucified for it, yet there are times when we all need to cross that line.
Lee Battersby
Sonia Helbig
Martin Livings
Anthony Panegyres
Guy Salvidge

1100: Is the Internet the New Slush Pile
Google the question: “is the internet the new slush pile?” and the wisdom of the masses will tell you that since mid 2011, there has been a grass-roots change in the world of publishing. The inference given in hundreds of articles unearthed by such a search is that you should no longer submit to slush piles while trying to get noticed. There’s a new wave of authors who publish their material directly to the Internet in the hope that their book will attract the attention of publishers and agents. But what does this method of gaining attention achieve and will it replace the tradition of slush pile Mondays? For that matter, with so many new writers self-publishing, is there a need to be picked up at all? Or is it a path to self-destruction of the writer’s rights?
Stephen Dedman
David Kitson
Dave Luckett
Ian Nichols

12:00 Lunch
Book Launch, The Corpse Rat King by award winning author Lee Battersby (Angry Robot Books)

Lee Battersby is the author of the novels The Corpse-Rat King (Angry Robot, 2012) and Marching Dead (Angry Robot, 2013) as well as over 70 stories in Australia, the US and Europe, with appearances in markets as Year’s Best Fantasy & Horror, Year’s Best Australian SF & F, and Writers of the Future. A collection of his work, entitled Through Soft Air has been published by Prime Books. He’s taught at Clarion South and developed and delivered a six-week Writing the SF Short Story course for the Australian Writers Marketplace. His work has been praised for its consistent attention to voice and narrative muscle, and has resulted in a number of awards including the Aurealis, Australian Shadows and Australia SF ‘Ditmar’ gongs.
He lives in Western Australia, with his wife, writer Lyn Battersby and an increasingly weird mob of kids. He is sadly obsessed with Lego, Nottingham Forest football club, dinosaurs, the Goon Show and Daleks. He’s been a stand-up comic, tennis coach, cartoonist, poet, and tax officer in previous times, and he currently works as the Arts Co-ordinator for a local council, where he gets to play with artists all day. All in all, life is pretty good.

1:00 Critting and Crowd-Sourced Editing
Should writers have their manuscripts criticised by a broad audience of their fellow writers? What value does it add to your work? Can you lose your ideas by letting others see your manuscript before the editor does? How about crowd-sourcing of editing? Is it possible to let others perform the work for you while reading early revisions of your manuscript? And how do you even take advantage of such services? Should they be avoided completely?
Amelia Beamer
Satima Flavell
Pete Kempshall
Juliet Marillier
Anthony Panegyres

2:00 Building Characters without Cardboard
In online reviews, a common complaint against many recent authors, especially those who choose to self-publish, is that their characters seem two-dimensional or otherwise lack depth. So what does the aspiring author need to consider in their writing so that their characters seem more real to the reader? And how do they achieve it? Are characters planned or imagined? And what are the pitfalls that many new writer, and even experienced ones, fall into? And how do you write convincing characters from the other gender?
Lee Battersby
Martin Livings
Juliet Marillier
Carol Ryles
JB Thomas

3:00 Has Erotica Become Just another Mainstream Sub-Genre
With Fifty Shades of Grey now the fastest selling book ever, it’s difficult to ignore the part that erotica has played in this series’ success. Writers thinking of including sexually explicit content in their novels are often confused by the terms ‘erotica’ and ‘pornography’. How should a modern writer approach this situation? How to avoid mistakes? Should erotica feature in a serious novel at all?
Amelia Beamer
Cathy Cupitt
Stephen Dedman
Elaine Kemp

Kaffeeklatsch Schedule (Library)
1PM – 1:30PM Joanna Fay: Publishing with a small press overseas
Joanna’s Daughter of Hope, the first novel in her epic fantasy sequence The Siaris Quartet, has recently been published as an e-book by Musa Publishing, a relatively new e-press in the USA. From the comfort of her lounge room in the Perth hills, Joanna has taken an intensive ‘high learning curve’ this year on the road to publication, while coming to grips with both the potential and pitfalls of online promotion.

2PM – 2:30PM David Kitson: Self Publishing – A complete end to end guide for anyone planning on doing it themselves
David’s self-published novel, Turing Evolved, broke into the top 20 Science Fiction book list on Amazon.com and is now rated at four-and-a-half stars with one hundred and fifty customer reviews. Learn about David’s experiences with editing, uploading, customer feedback and eventual contact and representation by a literary agent.
3PM – 3:30PM Juliet Marillier: Theme to be announced
Juliet is a New Zealand-born writer who now lives in WA. Her historical fantasy novels for adult and young adult readers include the popular Sevenwaters series and the Bridei Chronicles. Juliet’s books have won many awards including the American Library Association’s Alex Award, the Prix Imaginales and the Aurealis Award. Her lifelong love of folklore, fairy tales and mythology is a major influence on her writing. Juliet has two books out this year: Shadowfell, first instalment in a fantasy series for young adults (available now) and adult fantasy Flame of Sevenwaters, to be published in November.