Well, here we are. The 29th, and final, Precious Things post. And I can’t think of anyone better to round off the whole thing than the woman I call ‘Luscious’, Lyn Battersby.
Lyn is a talented author and editor, with a writing voice I think is utterly unique. Her writing has taken a back seat over the last couple of years while she finishes a University degree. She’s currently in the final stages of a post-graduate teaching internship, and as one of the top two or three students in the state, she’ll have her pick of assignments when the adverts are answered towards the end of this year. Once she’s settled in her new job, she’ll be back amongst the pages where she has made her home over the last 15+ years.
For now, however, with thanks to the 28 friends, colleagues, peers, and artists I like and admire who have created this series, it’s time for the artist I love to speak.
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Cat Sparks has done pretty much everything there is to do in Australian speculative fiction. She’s been a publisher, illustrator, and editor. These days, she’s expanding her long-standing writing repertoire: she’s just released her debut novel, Lotus Blue, and is putting the finishing touches to a PhD in climate fiction.
Here, she takes us back into the depths of her childhood, and goes some way to answering what so many of those of us who call ourselves her friends have wondered: how did she get like that?
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If you enjoyed Magrit, then Sue Whiting is the person to thank. Sue is, to put it simply, the best editor I’ve ever worked with: I learned more from working with her on this one manuscript than I’ve learned from the rest of my career combined. Her ability to pull threads together, to identify logic gaps and tighten sentences I thought screwed to their maximum torque, was astonishing. She did such an amazing job that she’s indirectly responsible for the difficulties I’ve had with my next work– now that she’s left Walker Books and gone back to her first love, writing, I’m no longer certain how much of my greatest success is mine and how much is hers, and for a long time I was paralysed by the fear that it was all down to her.
An accomplished author in her own right, here she lets us into both the beginnings and underpinnings of her literary career.
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There’s no denying it: Kaaron Warren is an awards hoover. Over three novels and umpty-million short stories, she’s won everything from the Aurealis, Ditmar, and Australian Shadows Awards to everything Canberra critics can give her to the Shirley Jackson Award. She’s one of our very few world class authors– she’ll be a Guest of Honour at the 2018 World Fantasy Convention— and if that wasn’t enough to make you hate her through sheer envy, she’s also one of the loveliest people I’ve ever met. Her latest novel, The Grief Hole, is, like most of her other work, an utter tour de force.
She’s one of my favourite SF people, and as always, it’s an utter pleasure to be in her company. And as always, no surprise to find that what Kaaron writes about isn’t what is seen in the surface but what lies just below, easily missed until she brings it into the light for examination.
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It’s been too long since we’ve visited fellow artists’ precious things: the KSP Residency kept me away from all but the most basic blogging, and since I returned to the day job, the weight of work has been ramping up so that I’ve had very little time to myself for such things. Thankfully, the skies have cleared (I can’t wait to tell you about The 18 Month Plan tm) and we have a chance to get back to business with one of Australian Speculative Fiction’s most divine lunatics, the brilliantly unique Adam Browne.
For a start, Adam’s more than a writer: he illustrates his own works, and they have titles like Pyrotechnicon: Being a True Account of the Further Adventures of Cyrano de Bergerac Among the States and Empires of the Stars, by Himself (dec’d) (a wonderful confectionery of a book I was proud to read pre-publishing), “Other Stories,” and Other Stories, and his latest, The Tame Animals of Saturn. He has a tendency not to appear in major presses: such is often the fate of truly original voices, and Adam is truly original– if you’d like further proof, my favourite of his short stories involves the soul of Michael Jackson being implanted into an immortal spaceship, and grooming a street urchin to travel the stars with him forever. And that’s the easy version of the synopsis.
Spend five minutes at Adam’s blog, luxuriate in the writing and drawings, then come back here to enjoy an insight into one of the most intriguing and fascinating writers Australian speculative fiction has ever produced.
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Andrew J McKiernan is a writer and Illustrator, living and working on the Central Coast of New South Wales. His stories have been everywhere since he first appeared in 2007, the length and breadth of his talent resulting in multiple Aurealis, Ditmar and Australian Shadows Awards nominations, and a metric fucktonne of Year’s Best anthology appearances. He was Art Director for Aurealis Magazine for 8 years and his illustrations are as good as his stories, the talented bastard: you can see a bunch of them over on his website, as well as on covers and internals all over the shop. He even looks natty in a hat, a skill I envy with much greenness of the eyes.
Here then, is he, hat and all:
Precious Things: Andrew J McKiernan
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I first met Claire Davenhall several years ago, as an entrant to the annual outdoor sculpture exhibition I coordinate for my day job. Claire made an impression on everyone at the exhibition: partly because she’s quite physically small, and she had a habit of lugging things like 8 foot high, solid steel shark fins up and down the beach, but also because there was a time where she seemed to coincide the exhibition with the birth of her children– giant shark fins are one thing; giant shark fins being lugged about by she-must-be-ready-any-moment pregnant women is a whole different class of funny!
I’ve had the very great pleasure of watching Claire’s art practice grow over the intervening years, and frankly, I’m taking credit: she’s my discovery, and now that she’s exhibiting at things like Sculpture by the Sea and Swell Sculpture Festival on a regular basis, it’s about time I got my finder’s fee…..
You can see Claire’s work on her website. She’s a fantastic talent, a lovely person, and as you’re about to read, a real weepy 🙂
Precious Things: Claire Davenhall
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