Ticonderoga Publication have announced the line-up for the third volume of their Year’s Best Australian Fantasy & Horror series, and I’m pleased to announce that Comfort Ghost, my story from ASIM #56, has been included, alongside such authors as Joanne Anderton, Stephen Dedman, Terry Dowling, and Kaaron Warren among many others.
The full line-up and official announcement is here, and the book is already available for pre-order. And I have to admit, that is one pretty cover:
If you’re unfamiliar with the Review of Australian Fiction, it’s a fantastic project which pairs an established author with one on the rise, every two weeks, and makes their work available for a nominal price. Previous issues have highlighted the likes of Kim Wilkins, Trent Jamieson, Melina Marchetta, Christos Tsiolkas, Meg Vann and Kirstyn McDermott.
The current volume is edited by the superfabulous CEO of the Brisbane Writers Festival, Ms Kate Eltham, and the latest issue pairs rising star Amanda O’Callaghan with 8000 words of my own special weirdness called The Canals of Anguilar, which has prompted Ms Kate to draw comparisons with Dickens, Pratchett and Poe. Which I’ll take any day.
Here’s a little taster to whet your appetite:
Her name was Fastny. It didn’t take long to make a decision, once she was amongst us, needling, pushing, refusing to allow us to sink into the complacency that large groups of men, united by a common urge to drunkenness and forgetting, will resort to at a whim. We had no plan, no desire, until she arrived. But fear of her scorn replaced all our separate terrors, and with her nipping at our heels it was only a matter of time before someone mentioned Anguilar.
Anguilar, city of the green walls: more canals than Venice or Tellifluour, so remote that only a journey of seven deserts can take you there. It is not a destination. It is the very reason a journey is undertaken, a place so alone that of all those who set out to find it, less than a third ever get there. Where the others end up, nobody knows: the residents do not speak of them, and arrivals are too relieved to think about it.
It’s available *right bloody now* for the princely sum of $2.99.
Damn, but whilst I’ve been off lounging about the beach crapping about with artists, but people have only gone and bought stories and the like from her Lusciousness and myself.
Where, I hallucinate you asking? Funny you should bring it up….
This friendly little fellow is the cover to Midnight Echo 7, unfortunately harmless. He’s the official magazine of the Australian Horror Writer’s Association, and undoubtedly the nastiest little read you’ll read this year, at least until issue 8 comes out. It contains my short story Ghosts of You, which is quite unpleasant, and I say that with all the love in my heart.
Purchase ye here.
Next to him… the nasty Year’s Best Australian Fantasy & Horror 2011. His tiny fangs cause creeping ulcerations of the skin, and his pages contain Europe After the Rain, a story originally published in Fablecroft Publishing’s After The Rain anthology and which I thought had disappeared with a dull whoomph of disinterest, so I’m pleased to see it up and about and being appreciated.
YBAFH11 can be found at Ticonderoga Publications.
And coming soon… my prize, ASIM 56. Isn’t she lovely? And so deadly. Her pages contain twice as many Battersbys as that of other magazines. You see, her contents include The Blind Pig, that is to say a modern fable of the depression by my beautiful wife Luscious as well as my own Comfort Ghost, and eventually… oh sod it, i can’t keep that up.
Everyone knows ASIM is a ripper of a magazine. Their website is here, and I’ll let you know when the issue is due to come out. The Blind Pig is the best short Lyn has ever written, and if you know Lyn’s writing, you’ll know what that means: you want a copy of this magazine, and you want it ASAP.
And if that isn’t enough to make you wonder at just how many people you can fool all of the time, be sure to check out Bete Noire in July, where my poem Three Messages will appear.