IMDb: Godzilla: Planet of the Monsters

Godzilla: Planet of the Monsters
https://www.imdb.com/title/tt5979874/

20 years after humanity is driven from Earth by kaiju, the remaining 4000 survivors return, determined to destroy Godzilla and reclaim the planet. A planet that– due to time dilation– has spent 20,000 years evolving into a perfect environment for the species’ that now inhabit it.

So, essentially, 4000 humans set out on a deliberate campaign of environmental genocide out of a hubristic sense of entitlement (If I had a dollar for every time a character cries “It’s our planet!” I could afford a really nice lunch.) and somehow the audience is expected to side with them.

Nobody watches a Godzilla movie because of its intelligent, nuanced scriptwriting. But this is as stupid a movie as I have ever seen. Not even the beautiful graphics– and the big G is beautiful— can save it. This movie is simply too dumb to live.

REVIEW: SECRET AVENGERS

Secret InvasionSecret Invasion by Brian Michael Bendis

My rating: 3 of 5 stars

It’s obviously a huge task to establish, narrate, and then wrap up a cohesive narrative in a single graphic novel, when that narrative has been the basis of a massive, company-wide story line that has run for a significant amount of time over a wide range of titles. Even so, this feels truncated and somehow lightweight. It breezes across all the major story points without given any weight or time to anything, leaving the result feeling like a series of random team-ups punching on without any coherence or consequence. Characters act without logic, turning points breeze past without any importance, and the climactic solution, when it arrives, pretty much happens within two panels, isn’t explained our expanded upon, and leaves the reader wondering what the whole point of anything was. The whole thing is tied together with Bendis’ usual character weaknesses– everybody is witty, snappy, and ultimately, sounds exactly the same as everybody else. The whole thing is fun, in a kind of guest-star-of-the-week kind of way, but for the climax of a major story line, it all feels rather inconsequential.

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REVIEW: THE MURDER OF NELLIE DUFFY

The Murder Of Nellie DuffyThe Murder Of Nellie Duffy by Stephanie Bennett

My rating: 3 of 5 stars

An intriguing examination of a notorious Northern Queensland murder in the early years of the 20th Century, which picks apart the various personalities at the remote cattle station at which it happened, as well as the gross incompetency of the police and the possible interference on the part of the powerful meat company that owned the property. The insight into the treatment of women and Aborigines of the time is stark, and at times confronting. Narrated as a straight retelling of the known facts, it presents a compelling mosaic of the attitudes and culture of the time.

Bennett’s style is slightly messy, and doesn’t do quite enough to keep all the players on the board, so that when certain names crop up late in the narrative it takes too long to recall how they fit into the story. The book is further weakened by Bennett’s predilection for speculating on motives and reasons, often spinning narrative chains with little more than supposition to go on. The second to last chapter, where she presents her own theory as to the murderer and the reasons for their actions, is gossamer-thin and weakens the book considerably.

Had she avoided the conceit of her own imagination, and simply laid out all the pieces of what is an engrossing mystery in its own right, this would have been a much stronger and more compelling read. As it is, it slips towards the ‘amateur historian’ style of writing, and is merely a good book when it could have been a must-read.

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REVIEW: CHURCHILL’S MINISTRY OF UNGENTLEMANLY WARFARE

Churchill's Ministry of Ungentlemanly Warfare: The Mavericks Who Plotted Hitler's DefeatChurchill’s Ministry of Ungentlemanly Warfare: The Mavericks Who Plotted Hitler’s Defeat by Giles Milton

My rating: 4 of 5 stars

Absolutely fascinating insight into the formation, development, and successes of a typically British endeavour: a disparate collection of professional soldiers, backyard garage boffins, Oxbridge Mafia types and gentlemen of ill-repute who were drawn together to create the definite rule book and arsenal of sabotage, assassination, and guerrilla warfare.

Milton draws on multiple sources to provide a comprehensive and seamless narrative, including the campaign of obstruction that was waged against the department by members of the military hierarchy, particularly Air Command. The result is an intricate and compelling account of a hidden war that defied the known rules and brought enormous success to the Allied cause, as well as the complex and unusual personalities who drove it. Fantastic stuff.

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REVIEW: JLA- POWER AND GLORY

Justice League of America: Power & GloryJustice League of America: Power & Glory by Bryan Hitch

My rating: 3 of 5 stars

Superman is a religiously-gullible rube, The Flash is an idiot, Green Lantern is a morose quitter, and once again the JLA is confronted by an impossible to beat antagonist, only to defeat it by a combination of mysterious, one-time-only outsider assistance and because-the-narrative-requires-it. And yet, Hitch manages to make everything progress so smoothly and at such a pace that it all seems to work, and you find yourself happily swept up in it all. The wheels fall off towards the end, as the narrative begins to creak under the weight of the spiralling absurdity and lack of logic, but it’s still enjoyable, and the kind of slick escapism that is perfect for a lazy afternoon on the sofa.

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REVIEW: JSA- THE GOLDEN AGE

JSA: The Golden AgeJSA: The Golden Age by James Robinson

My rating: 4 of 5 stars

Gorgeous artwork, a beautiful balance between superheroic nostalgia and historic paranoia, and plenty of over-the-top revelations that carry the whiff of the best of 1950s B-grade monster movies, all delivered with a straight face and a perfectly balanced respect for, and love of, the various elements. A wonderful volume for the geekiest of JSA fans, those with a memory of the-way-comics-used-to-be, and those who enjoy a finely balanced combination of artwork and narrative.

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