THUMBNAIL THURSDAY TURNS IT UP TO 11

It took me a few moments to work out what was going on in this one. That’s a giant speaker on the right: the guy in front has played a chord, and it’s blown his skin right off his skeleton. A perfect example of something that would have looked great when it was fully drawn, if I had the skill, but the thumbnail shows I wouldn’t have had the skill to do it.

Stick to writing. Stick to writing.

 

0017

“We’ll take it.”

QUARTER OF A CENTURY

I’ve just realised, as I was writing an upcoming Five for Friday post: I took the stage for my first stand-up comedy performance in 1992.

A few fevered, and not particularly serious, attempts at publication in my University years aside, that performance was the start of my continuous arts practice: after that night, via cartooning, theatre, and writing, I have been a practicing artist in one form or another for 25 years.

 

Bloody helllllll…….

Review: Wicked Beyond Belief: The Hunt for the Yorkshire Ripper

Wicked Beyond Belief: The Hunt for the Yorkshire Ripper by Michael Bilton

My rating: 4 of 5 stars

Wicked Beyond Belief: The Hunt for the Yorkshire Ripper

 

Forensically detailed and exhaustive study into the reasons why the hunt for the Yorkshire Ripper went so spectacularly wrong, with first-hand accounts from many who were involved in the search, and a compassionate stance towards the victims of his crime. Bilton chooses not to focus on the Ripper himself, in an effort not to afford Sutcliffe any more notoriety than he already has. Instead, he shows us the other side of the mirror– something closer to the truth of life during that period, without the dark glamour that tends to accumulate around the cult of serial killers.

If there is a flaw with the book, it is that her is, perhaps, too lenient on the senior officers who mangled the case so badly, and gives too great an allowance to the pressure and scrutiny they were under as reasons for their errors. But the sheer weight of research and verisimilitude that comes from the page gives the reader the opportunity to believe that this allowance is genuine: it all feels incredibly real, and makes for compulsive reading.

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FIVE FOR FRIDAY: SINGLE PANEL CARTOONISTS

Unless you’re terminally non-observant, or have just ended up here because you accidentally googled “Billie Piper’s nipples”, (It’s true, and no, I don’t know why), you’ll be aware that one of the careers I came very close to following was drawing single-panel cartoons. (Go on, admit it. You’ve only just come back after googling “Billie Piper’s nipples” to see whether it works, haven’t you?). I mean, I’ve only dedicated about a million Thursdays to posting thumbnails I’ve scratched out over the years.

Put simply, there came I time where I had to concentrate on either writing or cartooning if I wanted to make a career in the arts, and writing won.

Still, cartooning remains very close to my heart, and if the 18 Month Plan sticks, who knows? I might find the time to invest some real energy into resurrecting that particular dream in the interests of my ongoing artistic diversification. Weirder things have happened.

In the meantime, for those of you who’ve enjoyed catching up with my half-realised ambitions, here’s a list of 5 single panel cartoonists who have influenced not just my cartooning, but my approach to all my artistic material over the years.

 

Five for Friday: Single Panel Cartoonists

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FIVE FOR FRIDAY: CLOSING LINES

One of the better exercises I run during my workshops is also one of the simplest: I give participants a list of final lines from stories already published. Participants pick one and use it as the opening line of a new work. Once the story is completed, simply delete the (un-original) opening line and voila, complete story!

It often prompts participants to ask which of my own closing lines I would use, or which is my favourite. So here’s a list of five of my favourite closing lines. do the exercise yourself. See what you come up with. Then show me: I’d love to see where it takes you.

 

Five for Friday: Closing Lines.

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